SMUGKIG: TV3 sender nøgen-dating uden censur

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Men lige her er TV3 forbløffende klar i mæglet. At hele Danmark skal se mig nøgen, har jeg ikke noget imod. His patriotic action continued when Japan was defeated and the Netherlands Indies Civil Administration NICA attempted to recolonize the country in 1945. First of all, this IS NOT a Dating Sim, contrary to the title.

I want more reality in terms of your actions, I want you to tell me why it behaves like this, because keep the mystery of the past life? The MC says that he does not want to hurt any girl, and he knows that there are some in love with him; and instead of behaving like an adult, who claims to be, does not say anything, explanations? It isn't that bad, but...

SMUGKIG: TV3 sender nøgen-dating uden censur

Born in Banjar Dentiyis, Batuan village, in early September 1903, Balinese painter I Nyoman Ngendon would have been 115 years old. Ngendon was an icon of Batuan painting in the 1930s to 1940s. Although his paintings lacked depictions of tumultuous revolution because he portrayed collective myths, wayang shadow puppets and daily activities, Ngendon frequently advised young painters to always take heed of the social and political situations. In the 1930s, he also learned a lot from Dutch artist Rudolf Bonnet who was then living in Campuan, Ubud. When Bonnet — along with German painter Walter Spies and the then-king of Ubud, Tjokorda Gde Agung Sukawati — set up an association called Pita Maha in 1936, he joined them. Ngendon seemed able to absorb the secularist bent of Bonnet but in reality, as seen in the book Reflections of Faith Klaus D. Hohn, 1997 , he was not totally captivated by the idea. He was more interested in ancient sites like the various reliefs at the Batuan and Bedahulu temples. His works were thus locally derived and unique. Mythology as a subject of Batuan paintings was reconciled with modern philosophical understanding and manifested itself in rhythmic and well defined forms. Interestingly, while painting in the traditional style, Ngendon also tried modern realist-naturalist patterns as shown in his rare portrait image, Potret AAG Oka Ukir Portrait of AAG Oka Ukir , due to his meeting modern artists in Yogyakarta. He visited Yogyakarta as a national movement activist in 1935 and here, he became acquainted with revolutionary painters. He felt the need to be part of the movement by creating posters against the colonizers in Bali, which brought him to the attention of the Dutch authorities. When Japan occupied Indonesia in 1942, Ngendon became a soldier in the Ngurah Rai Regiment. With his painting skill, he was assigned to the information section. He produced many posters to arouse the spirit of the national struggle and distributed them to various areas. His patriotic action continued when Japan was defeated and the Netherlands Indies Civil Administration NICA attempted to recolonize the country in 1945. Bad luck indeed finally befell the painter. In 1946, he was captured by NICA troops in Ketewel village on charges of being a courier and a guerrilla fighter disguised as an artist. Ngendon was tortured and on July 2, 1947, he was shot dead by the NICA police at the Dentiyis graveyard in Batuan. The tragedy became even more horrific when witnesses said that after being shot, his remains were dragged behind a truck on the Sukawati highway. The Dutch wanted to spread fear among the local people but this did not work. Strangely enough, no monument has ever been built by the state to mark his heroism.

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